Saturday, March 27, 2004
Service: * *
Food: N/A
Ambience: * * * *
Babe Count: * * * *
Three o'clock, and all's well. This morning, after a long time lying in bed thinking, I sent Jacqui an sms.
It said:
Hullo Jacqui... Just letting you know I love you, and am missing you. The anxiety is gone, and now I'm able to mourn the loss of us. Feeling sore, but it's a clean pain. I hope you're having a peaceful, healing time. And I want you to know that I wish you the very best. I also hope that one day in a couple of months, you might decide that I'm a guy you might want to date. And maybe we can start afresh. I love you, Jacqui. Roy.
And of course, shreds of the anxiety are still active, so I'm only checking my phone every fifteen minutes for a response. And there isn't one. She's mentioned that she'd "be away" this weekend, which is why we couldn't do the handing over ceremony where she gives me my underpants and socks and tshirts and trousers and books and keys and we kiss dry-lipped and hug awkwardly and cry. I can look forward to that next week.
But right now, I've got an excuse to keep checking my cellphone for messages. I'm meeting a young poet who moved to Joburg from Cape Town, and is keen to hook up with fellow poets. She's sent one of her poems to the UCT PoetryWeb for comment, and I see great potential in it. It's got some rough spots, but it's got some seriously cool observations in it.
I've spent part of the morning analysing it, and working out what I would do to fix it, and, more importantly, making notes about how a young poet might get from one draft to the next.
I send Mandy an sms:
Hi Mandy... I'm wearing a lilac t-shirt, and I'm sitting in JB Rivers at the end closest to the CNA. Leather satchel on the chair beside me.
Something to that effect.
My phone beeps back almost immediately. The message tone is a cuckoo. Could it somehow be Jacqui messaging me? Of course not. Don't be an anxious obsessive compulsive, Roy. Come on! It's Mandy. She's on her way.
Which is darn exciting. I have a soft spot for poets. Especially good ones. Especially ones who have the courage to meet a strange dude at a coffee shop and entrust him with their words. Especially female ones, what with me being newly single and all that.
She arrives. Amazing striped top. Wild black hair. Slightly mismatched brown eyes, but piercing and alive and intelligent. Yummy.
She's in advertising -- a creative strategist. Loves her work. But loves the power of words. I probe a bit, and find out that her first love is actually music. She's a pianist, and loves the romantics like Chopin and Rachmaninov. Has even heard a recording of him playing. Regards him as one of her heroes.
I can tell that she's a little rattled. It's quite easy to know that, since she says, "I'm a bit uncomfortable talking about myself like this. I've told you things that I've never told anyone else. You won't put them on your website, will you?"
Of course I won't. This site isn't here to damage anyone. It's a romp. And it's supposed to entertain.
Then she says, "But aren't you a bit nervous about what you write here? I mean, knowing Jacqui might be reading this, will you write about our meeting?"
I'm not sure about this. As I sit and write the site, I certainly do edit stuff out. You're reading the highlights package. And yes, I'm very nervous about Jacqui reading this. I want Jacqui to be my one-true-love, the woman who has my kids, the woman who I spend the rest of my life with. Even though I broke up with her last Tuesday in the couples therapy session that was meant to be my commitment to doing whatever it took to support her through the space she needed to take.
And I'm aware that Jacqui reading about my meeting a nubile young poet who I'd looooove to shag right this second might not make it any easier in a couple of months when she finally works out that I'm the dude she wants.
But the thing is, WANTING to shag Mandy is not the same as actually shagging her. And I'm not doing that. (Now naturally, I'm being extremely presumptuous here. I'm sort of assuming that I have enough animal magnetism and charisma and poetic insight for Mandy to be interested in shagging ME. But hey. I've gotta allow myself SOME delusions in this tear-stained space I find myself in.)
I pull out my notes, and run Mandy through her poem, as seen through my eyes. And I show her a pared down draft that I've prepared to show her what I think she really intended to be in the poem. And she's really chuffed with my poetic insight. Now I've just gotta work on the animal magnetism and charisma.
I'm tear soaked and sapped right now. Just came home from couples therapy. I had decided that I couldn't take more of this space, and handed Jacqui all of her things before the session started. We'll be seeing each other one more time for her to hand me my stuff.
And Ian doesn't disappoint. I've got his CD, and I've given it many a spin on a Sunday afternoon and on late nights at the computer. And he's bloody good.
And Wendy is at her best, even though she's been dreading this evening with all her heart, cos her wrist is wrecked. She's a shiatsu practitioner, and she's developed some type of tendonitis which has flared up in the last two weeks to such an extent that she can hardly hold her guitar.
If sorrow is supposed to be such an aphrodisiac, why'm I not feeling horny?
What's really bewildering for me is that I truly don't know what went wrong. I mean, there are the obvious reasons. Pressure from outside sources. Blah blah blah.
It's eleven o'clock at night. My shoe soles are still smouldering. I have tiny splinters in my hands and arms. My eyebrows are a tad singed.
My phone rings. It's Troy Bentley, Damon's cousin. "Get your butt to Cresta," he says. "Fireworks starts in half an hour!" I discuss where to find him, and skedaddle, after only buying one book, something on how to structure corporate social investment programs.
And boy, do I find out just how difficult it is to fight fires on a dark night in marshland with thorn trees? From about 8pm till 11pm when we finally get into the restaurant, we all battle the blazes manfully.
Sure," he says. Climbs out of this monster truck, heads to one of the vast taps on the side of it, checks the valve number, and lets rip. I can report that I'm the only person I know who has drunk straight from the mouth of a fire engine. And the water is hot. But that doesn't stop me from drinking around two or three litres of the stuff.
n fact, one of the reasons I'm doing up in the loft -- instead of downstairs, close to Jacqui -- is that the cellphone reception is way better up here. I've sorted out my GPRS connection to the internet, so I'm able to surf to my heart's content up here. Using a bluetooth connection. 